In the death poem, or jisei, the essential idea was that at
one's final moment of life, one's reflection on death (one's own usually but
also death in general) could be especially lucid and meaningful and therefore
also constituted an important observation about life. The poem was considered a
gift to one's loved ones, students, and friends. The tradition began with Zen
monks, but was also popular with poets, whose poems were often just as solemn
as those of monks, or entirely flippant and humorous. The poems are often full
of symbols of death, such as the full moon, the western sky, the song of the
cuckoo, and images of the season in which the writer died. See also, Japanese Death Haiku.
The death poem of Basho, one of the greatest haiku poets of
all time:
On a journey, ill;
my dream goes
wandering
over withered
fields.
About the above graphic: During his last moments (September 9, 1769), Shisui's
disciples requested that he write a death poem. He grasped his brush, painted a
circle, cast the brush aside, and died. The circle— indicating the void, the
essence of everything, enlightenment— is one of the most important symbols of
Zen Buddhism. most important symbols of Zen Buddhism.
Kobayashi Issa captures mortality well in this haiku:
Kobayashi Issa captures mortality well in this haiku:
In this world
we walk on the roof of hell,
gazing at flowers.
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